Essay by Patti Smith: Art Rats in New York City
In 1967, I arrived at the Port Authority Bus Terminal carrying a plaid suitcase. My goal was to become an artist. Though I might have lacked the skills then, I was eager to develop them because I believed deeply in my calling. It had come to me like a sudden vision. There was no Faustian bargain, nor any divine promise tied to my vow. I knew I was on my own but hoped to find a companion, and fate brought me one.
Meeting Robert Mapplethorpe
Robert Mapplethorpe was an American raised in a devout Catholic family. He had played saxophone in his high school band and earned an R.O.T.C. scholarship to study graphic arts at Pratt Institute. His mother hoped he would become a priest, while his father wanted him to advance in the military, with a backup in commercial art.
- Robert had pale skin, green eyes, and closely cropped dark curly hair.
- Following his father’s plan, he received an apartment, shiny knee-high leather riding boots, and an allowance.
- At Pratt, he excelled as a draftsman and initially followed the expected path.
Yet, unbeknownst to others, another identity was forming within him. At twenty, Robert put aside his saxophone, his clerical robes, and his rifle. Looking in the mirror, he saw neither a priest nor a future R.O.T.C. captain.
"There was no Faustian pact connected with my vow, no expectations from godly elements. I knew I would be on my own, yet still hoped for a compatriot, and Providence led me to him." — Patti Smith
This moment marked a turning point for both of us, beginning a journey defined by artistic truth and self-discovery.
Summary: Patti Smith recalls her arrival in New York and meeting Robert Mapplethorpe, highlighting their shared struggle to follow their true artistic paths beyond family and societal expectations.
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